Download Torrent (Jazz. Planet) Roy Hargrove - Family 1. E. C.) TNT UF. Roy Hargrove - Family. Artist Roy Hargrove. Orig Year: 1. 99. Release Date: Jun 2. Studio/Live: Studio. Style: Straight- Ahead, Post- Bop. Extractor: EAC 0. Read mode : Secure. Utilize accurate stream : Yes. Defeat audio cache : Yes. Download (JazzPlanet) Roy Hargrove Quintet - Earfood (Eac Flac Cue) UF TNT torrent for free. Fast and Clean downloads from BitTorrentScene a free public file sharing. Download Roy Hargrove - 2008 - Earfood FLAC torrent from music category on Isohunt. Torrent hash: 914e4e0af79d3c90ca9bd61343f7b654a851d28f. Download Roy Hargrove - Earfood (2008) . Torrent hash: 969319f37d2833dff68f215ca0d5eaabd66799f9. Roy Hargrove; Background information; Birth name: Roy Anthony Hargrove: Born October 16, 1969 (age 46). 2008: Earfood – The Roy Hargrove Quintet; 2009. 1994 - With the Tenors of Our Time FLAC/01 - Soppin' The Biscuit. 2008 - Earfood FLAC/04 - Starmaker.flac 45.92 MB; 2008. Torrent search results for 'ear food roy hargrove'. Fast and reliable file torrent hosting search engine! The Roy Hargrove Quintet - Live at the New Morning, Paris, France, 2010 n1ghtprwlr. Roy Hargrove -trumpet Justin Robinson- alto sax Gerald Clayton - piano. Download Roy Hargrove - 2008 - Earfood FLAC torrent for free. Fast and Clean downloads from BitTorrentScene a free public file sharing platform. Roy Hargrove - Earfood - 320Kbits/s Torrent 411 - Les Pages Jaunes du Torrent Francais - French Torrent Tracker - Tracker Torrent Fr - L'Acad Make use of C2 pointers : No. Codec: Flac 1. 2. Level 6. image File. Eac. log. File. cue Multiple wav file with Gaps (Noncompliant). Track listing. 3 Brian's Bounce. Nearness Of You. 5 Lament For Love. Another Level. 9 Polka Dots And Moonbeams. Thirteenth Floor. Roy Hargrove Flugelhorn, Producer, Trumpet. Ron Blake Sax (Soprano), Sax (Tenor). Jesse Davis Sax (Alto). David . Hargrove was born in Waco, TX on October 1. Inspired by the gospel music he heard in church on Sundays and the R& B and funk music that played on the radio, Roy began learning the trumpet in the fourth grade. By junior high school, he was playing at an advanced level of proficiency. At 1. 6, he was studying music at Dallas's prestigious Booker T. Washington School for the Visual and Performing Arts. Impressed, Marsalis invited Roy to sit in with his band at Ft. Worth's Caravan of Dreams Performing Arts Center. Subsequently, Hargrove was able to return to the venue over a period of the next three months, sitting in with Dizzy Gillespie, Herbie Hancock, Freddie Hubbard and Bobby Hutcherson. This led to a month- long European Tour. His first recording in NYC was with the saxophonist Bobby Watson followed shortly by a session with the up- and- comers super group, Superblue featuring Watson, Mulgrew Miller and Kenny Washington. In 1. 99. 0, he released his solo debut, Diamond In The Rough, on the Novus/RCA label, for which he would record a total of four albums that document his incubational growth as a . Hargrove made his Verve Records debut in 1. With The Tenors Of Our Time, showcasing him with stellar sax men Joe Henderson, Stanley Turrentine, Johnny Griffin, Joshua Redman and Branford Marsalis. And the same can be said of the array of talents who have invited him to grace the stage and/or their recordings - from jazz legends Sonny Rollins and Jackie Mc. Lean to song stylists Natalie Cole, Diana Krall and Abbey Lincoln. From pop veterans Diana Ross, Steve Tyrell and Kenny Rankin to younger stars John Mayer and Rhian Benson to the cr. Hargrove was also commissioned by the Lincoln Jazz Center to compose the piece . He is also a superstar of the international touring scene with his quintet, RH Factor, and as a soloist. As RH Factor attests, Roy is also a product of the hip hop generation. He can be heard on a cover of rapper Method Man. During his tenure on the Verve label alone, he has recorded an album with a hand- picked collection of the world. Hargrove has also won Grammy. And in 2. 00. 2, Hargrove, Herbie Hancock and Michael Brecker won Best Instrumental Jazz Album, Individual or Group, for their three- way collaboration, Directions In Music. Distractions features the contemporary funk/jazz sounds of The RH Factor. Nothing Serious features straight ahead jazz by The Roy Hargrove Quintet with special guest Slide Hampton on trombone. Verve A& R executive Dahlia Ambach- Caplin explains, . Choosing one over the other would not do him justice, so we went for both, approaching them as two separate projects. The quintet recorded in March of 2. GRAMMY award winning engineer Al Schmitt at Capitol Studios in Los Angeles, California. The RH Factor recorded later in May at Sausalito. Some of that is the fault of jazz musicians trying too hard to appear to be cerebral. It's about being innovative, which is cool. But innovation right now will come in music that's swinging and feels good. It's meaningless if it doesn't make you feel something. Most telling is the knee- deep funk of . You have musicians who know all the theory and harmony. Then you have the musicians who have a direct line to the masses and what they like to hear. If you can combine the two, it can be something innovative as well. Singer/songwriter Renee. Commenting on his vocal feature on this album, Hargrove quips, . The band played along to what he programmed, he took it to L. A. The remaining RH Factor tracks are groove interludes titled . I wrote that in the hotel just after walking to get some fried chicken and Blue Bell ice cream, which they don't sell in New York. I used to OD on that stuff when I was living in Texas. When I got to KC and saw that they were selling it there, I was so happy, I went back to the hotel and wrote that song on the spot! But when Reggie heard about Lenny - not wanting him to creep in and take his gig - he was like . A major influence along those lines is sax man David . It was an honor for Roy to have him in the band for this special RH Factor project. My band director, Dean Hill, was friends with Fathead and invited him to the school. Fathead did a baritone solo over our tuba and drum sections playing (Herbie Hancock. He was making a whole lot of music without reading anything and I became very fascinated with that. It put me on the road to learning how to improvise. And even when they're playing my tunes, everybody. Breaking it down even further, he elaborates, . That way if you decide to take the music . The song is organized chaos, all coming together within a minor blues. Roy recalls their meeting. I was playing all my bebop. He came up to me and said, . Rounding out the stellar quintet are alto saxophonist Justin Robinson (who also plays some lovely flute on . As a whole, this incarnation of the Roy Hargrove Quintet has been playing together for four years, the tightness of which is evident throughout the disc. The band perfected most of the material on the road before the recording. Roy cut his teeth with Hampton. I can't tell you know much playing charts from the original Dizzy Big Band book with that group helped me. The way that Slide arranges and voices, he knows how to take a small group of horns and make it sound like an orchestra. Thus Earfood presents a richly coloured snapshot of an artist reaching his prime, a young player once dubbed ubiquitously as the . Yet as he reveals in his liner notes, he now just wants to play tuneful, melodic music, that reaches out to an audience . It is my working quintet, playing a repertoire consisting of songs we play live while on tour, mixed in with a few new originals. Simple melodies moving around luscious chords, allow us to capture the attention, and give a feeling of transcendence. The cohesive sound of the group is a result of our constant touring, and getting to know one another, on and off of the bandstand. These are key elements in developing a tight sound, and in less time wasted in the studio. My goal in this project is to have a recording that is steeped in tradition and sophistication, while maintaining a sense of melodic simplicity. The first three selections (which includes the uptempo blues . Hargrove shows off his warm tone on .
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